Jordi Esteva uses the plot of a travel story to reflect his subjective impressions and his objective views of spaces and worlds that took place on a real trip he had made to remote nations in search of the traces of the Arabs of the sea and of the legendary Sinbad. Through this study, we intend to delve into the importance of space as a fundamental element in the creation of the travel narrative discourse. But our main goal is to highlight the objective and the subjective through the description in this travel book.
Ahmed, S. (2022). Lo subjativo y lo objetivo en Los árabes del mar. Tras la estela de Simbad: de los puertos de Arabia a la isla de Zanzíbar, (2006), de Jordi Esteva. Transcultural Journal of Humanities and Social Sciences, 3(4), 90-104. doi: 10.21608/tjhss.2022.266955
MLA
Salwa Mahmoud Ahmed. "Lo subjativo y lo objetivo en Los árabes del mar. Tras la estela de Simbad: de los puertos de Arabia a la isla de Zanzíbar, (2006), de Jordi Esteva", Transcultural Journal of Humanities and Social Sciences, 3, 4, 2022, 90-104. doi: 10.21608/tjhss.2022.266955
HARVARD
Ahmed, S. (2022). 'Lo subjativo y lo objetivo en Los árabes del mar. Tras la estela de Simbad: de los puertos de Arabia a la isla de Zanzíbar, (2006), de Jordi Esteva', Transcultural Journal of Humanities and Social Sciences, 3(4), pp. 90-104. doi: 10.21608/tjhss.2022.266955
VANCOUVER
Ahmed, S. Lo subjativo y lo objetivo en Los árabes del mar. Tras la estela de Simbad: de los puertos de Arabia a la isla de Zanzíbar, (2006), de Jordi Esteva. Transcultural Journal of Humanities and Social Sciences, 2022; 3(4): 90-104. doi: 10.21608/tjhss.2022.266955
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